Thursday, September 28, 2017


An additional touch.. A little idea that sprang up to contrast the fine stonewash. Surprised at where Snecx actually put the embellishment on my Buster. Mirror front side. Perfect.

...from that "leap of faith" over a year ago...

Landed and Unleashed! Yes folks, Beast Mode Buster.
Uncompressed  >>>

In a nutshell, size wise, Buster is about having the largest blade on the slimmest handle while achieving the best balance possible.

Mated with precision and his penchant for ultra tight tolerances, it is definitely a work meant to showcase these aspects. More importantly, the design concept focuses on problem solving the usual niggles associated with many folders. While there is much to ogle as the knife is picked up, it was meant as a fully functional workhorse. Thus there is a need to look at it from various angles and starting with the practical.

Parts for all remaining Busters are ready and key features will remain constant but from the point of tuning to different finishes for the next 16 up and coming ones-- consider each to be an experiment in itself. Whatever those differences maybe, there would be no doubt  that each will come with a pristine fit and finish on every knife.

This is the story of #2...
Parking the blade heel to tip. Many knives have this feature shown on the tip.  Here with the heel it adds another interesting visual aspect to the knife. With index finger positioned into the slight recess in front of the flipper there is a natural position where it is operated with minimal effort.

An impossibly small flipper for an incredibly big blade. 
Not being a fan of a big dollop sticking out like a sore thumb on a knife especially a big one like this, the smallest possible tab is certainly an appeal... provided it must function optimally. 

First flip out of the box, blade snaps to lockup with authority albeit a little slow due to weight of such a big knife and what I thought may be a need for the lube to sit in more... The initial consensus was, this is more of a "trigger-pull" rather than "light switching" kind of blade.

It gets better,  but more on the action later...

In closed position, the HDPS doing its job where the pin locks up the blade at close, as opposed to being on the broadside of the tang  surface in a conventional ball detent system. A thick lock-bar with a strong set lock and flush finishing on contacting surfaces ensures everything stay in place with no discernible play.

  Hybrid Detent Pin System, HDPS
First up, a radical departure from other knives... "Rod-Detent? Stop-Lock Pin?" what do you call it?

Fancy nomenclatures and acronym alone does nothing and the question is to ask, "Why reinvent the wheel" or in this case, the detent ball and generally the whole lock area? - To address the ease of maintenance, durability, not having to compensate lock strength to detent ball sizing and still having a desired smooth action throughout the range of motion.

The goal was to achieve a state of consistency while ensuring everything is tight, yet smooth with the integration of the detent and locking surface on the pin.

Quite a sackful to fill...  after 12 days of of flipping, I have to say this system indeed work.And it is really something to get excited over in a knife, which doesn't often happen with me.
Action from start to finish

On tabbing the flipper.. the massive tang lends it's weight to nudge the lock outward allowing the fillet radius/ chamfer * a gradual transition that eliminates any sudden on/off" feel.

The securing of blade in closed position is liken to that of a spring latch assembly of a door lock.

With the pin disengaged-- the lapped and polished flat end glides on the equally polished blade tang, resistance is imperceptible and accelerates all the way to lock-up.
* for being a machining ignoramus-- that sloping end section on the pin is either a fillet radius or a chamfer-- go Google and decide what the correct term should be.. I'm 50/50 on this ;)
Not visible in photos, the stop pin doubles up as the locking interface. It is pressed fit into a front facing C-channel that exposes just only the portion that stops the blade when open while the rest of the lockbar milled mere microns away. Precision right here!
When locked in open position-- it makes partial use of the pin lengthwise to stop the blade from moving further. The lock setting here looks simple enough except for makers who will understand the nuances on this part of a knife and looking at how it all has to be given a new approach and the tolerances with the pin here. The accuracy of where the hole for the pin is pressed fit into has to be spot on.


Rock solid. Zero break in time in this area. Flush fit and absolutely stick-free. I honestly cannot ask for better lock up in a knife. Turning over, it can be seen that the ridiculously large over travel pin at the other end is snugly nestled into the hook on the blade. Combined with the thickness of the tang and large pivot, there is no concern over any lateral wiggling/ blade play.

Disengaging to close, unlike traditional ball detent, the HDPS is immediately released just as during opening.

In a normal ball detent there is still quite a way before the the tang's end pushes it's way past the detent ball-- resulting in the familiar 2-step motion in closing.

For knives with weaker lock and or very small detent relative to blade size/ weight, this may not be felt much, like Buster here.

The key difference is that the functionality of the lock is not being compromised for the sake of "smoothness".

This is smoothness in it's truest sense from open to closing motions. Packaged up together, it is another feat pulled off where one doesn't think of it as a washer based knife but I was comparing it very much to the best IKBS or MRBS bearing knives out there.

If one thing is still not apparent by now, it's how the entire detent is fully exposed. The open design  does not leave much place to trap dirt and grit. All that is needed is a wipe without a full disassembly on most days.

Top Left: HDPS locking in at closed position. Location of the detent is far forward of usual ball detents and works more like a spring latch with greater contact surface than a  ball, making it much harder to shake loose.
Top Right: Blade is just very slightly displacing the depth of the fillet radius. Approx  ~ 1:1 ratio as I eyeball that the blade  tip has been raised roughly the distance of ~1.5mm from the horizontal; about the same as the depth of the fillet radius itself. Bottom Left-Right: Lock is now disengaged with blade at start of travel in contact with the flat end of pin. Blade locked out and pin works in the same manner as in closed to hold the blade in place with the additional surface from the front of the pin acting as the lock surface.

Cutting Edge

A knife that cannot cut well is essentially a useless knife.

Having said, the edge has been approached with an almost religious fervor. Entirely hand sharpened with Wicked Edge and an array of modded jigs. 62rc M390 with a 15dps starting off wide at 5mm thick at the spine (although the multi top grinds and chamfer makes it out to be visually slimmer).

To make cutting straight down smooth, it was "de-shouldered" at the top end of the edge for mine (other Busters may differ). Here an additional tiny beveling was ground to 1200 grit, making it stand out in the light. Apex and this are both arrow straight, adding on to the no-nonsense look of the Buster lines.

Put to a comparative test with my best sharpened knives, the cuts and slicing are precise thanks to the well razor straight edge. Put to real task in the kitchen, it again cuts cleanly with everything coming out crisp from contact with the blade. For those who takes pride in food prep and presentation, you know what I'm talking about here .

Just like my trusty cleaver but spotting top notch edge aesthetics!

  • Cutting edge: 101.7mm / 4"
  • Overall length 240mm / 9.47"
  • Blade thickness: 5mm / 0.20"
  • Handle thickness: 16" / 0,63"
  • Estimated Weight: 185g / 6.53oz 
#2 came out at? >>>> 184g and the rest of the specs were spot on.

Everything is massive on the Buster, yet the illusion of being smaller is another of those things tastefully fitted into the overall design by the maker to make a visual difference when holding.

Small to medium-ish? ? An illusion as the longer end of the handle is tucked underneath the palm, with only the short side sticking out,  making it look smaller than it actually is.  By the way these 2 pics are showing the best way to hold the knife to flip as effortlessly as possible by not touching the lock.

 and "Honey I Blew Up the Knife"...
Once opened, like a practical fixed blade with an ample sized handle, it leaves enough at the rear, to balance out the beefy blade up front during use. Balance!

GTC Plasma, Buster, Shirogorov/ Southard collab RFT - all over 4" blade length. Bottom right: Comparison to a smaller knife the Shirogorov Neon at 3.25" for the blade. Note the handle length sculpted to tuck away by far the largest blade in both thickness and lengthwise among all 4 compared here. The overall thickness is again another point of balancing, making it feel adequate with a full grip snugged against the whole palm.

Choking: While making sure it doesn't hit the finger, the choil is calculated to angle forward at the heel sufficiently without sacrificing the cutting edge more than necessary,

Photographing the colors right is harder than thought due to the distinct contrast of the blade and the handle. Between the choice of satin and stonewash, I took the choice of the stonewash after practical consideration of putting the knife in use. Stonewash might be considered mundane compared to many other finishing out there but Snecx has elevated his methods to an art that needs to be seen in real to appreciate.

This shot is as close to the tones in real. Entire hue on the ti handle is a uniform light gun grey under natural lighting. Almost as if painted on. Texturing of stonewash can only be seen when magnified and looks to be pretty durable from my handling so far.  Exotic materials to spice up with color and look has their place but a good piece worked with simple material casting attention to details on finishes like this truly marks the skill and dedication of a maker.
Almost Mirror. Tilted in the right angle to catch the natural light reveals a reflective surface beyond the stonewash.

Lines are so defined, actual pics takes on an almost computer generated "3D look"

Weight and Milling
The first unfinished Buster #1 back in Oct 2016
Weight shaving in knives is all the rage these days with  materials milled out to the max.

There's  however a big difference between knocking off the grams/ ounces and having a  knife that still feel balanced at the end of the day. It takes a lot more in the thought process to carefully balance the weight with where to cut out from the design to retain the practical aspects and comfort when actually using it

I'll let the maker's own words on Instagram says little more on this aspect     >>>

I was half expecting a bias with the blade's weight pulling it down when gripped. But the balance was well built into design of the handle as well giving it a truly neutral feel.

No shortcut into areas that can't be seen. Every bit taken out resulting in ever more lines and steps are just as meticulously finished on the outside. The same even tone of the stonewash on every facet on the entire handle inside out.
Subtle signatures. Various makers have unsaid elements within their designs that waits to be noticed. Symmetry and balance are constant features in Snecx's designs. Top left, note the geometric shape of the blade's front and both sides of the handle.
Right: Milling on the inners are not just merely maximizing materials that can be removed but stepped in different heights to maintain a balance for strength where needed. Not obvious is actually how much on each side is removed to keep the weight balanced on both sides after accounting for the clip and cut out on lock as well. There's more on these  but I'll leave those discovery for other owners of other Busters to find out.

Wrapping up...

This review was supposed to be up last weekend but I felt the need to pocket it afew more days to be objective. One of the first thing noticed initially were the sharp lines found everywhere. What Snecx calls a "prismatic" finish, where things are milled and lines forming the various angles meet results in a crisp clean finish. It is an attestation to the meticulous way of putting forth the kind of intended precision and the theme in Buster. However a couple of things were a little too sharp to me.

  • Tip of clip
  • The apex at the handle's rear
  • Flipper tab
While the objective is clear on such sharp lines, the angular pointy-ness presented makes for handling and carrying (not having the sharp points catching in the pocket etc) something to think about.

Particularly the 2 forward facing corners at the flipper tab. One concern in having it slightly rounded was it may not give sufficient grip purchase when flipping due to the smaller flipper.

A week passed since those initial thoughts above. Metal is no match for my callus laden fingers.. the sharp points actually just worn themselves down a smidge from the flipping and poses no discomfort by now.  It can "light-switch" as easily as "trigger-pull" as seen in the video above. 

All said, the sharpness of the 3 areas can easily be toned down without significant changes or impairment to the aesthetics or functionality of the knife. I believe it will boil down to individual preferences for each Buster's owner to come.

The floating pivot is something I like. Not just here but in other knives with similar pivot constructions. For one, no Loctite is needed, something absolutely disliked in a knife. Being adjustable on both sides, there really isn't an issue of over-tightening and having  things stuck. With the ease of just 2 screws and on washers and a detent that can be cleaned without disassembly there really isn't anything simpler.

The smoothness generated from the generous sized washers and HDPS makes me forget it is actually  a knife on washers speaks volume.

While it may not appeal with a sense of sensual flowing aesthetics due to a lack of things curvy, the polished crispness and clean lines are packaged up beautifully in its own way and not make you afraid to use it.

Combined that with a salute to the HDPS feature, something which I can only hope to see on more knives in the future, the Buster has achieved what it was intended to be.

A true big and sharp working brute cleverly hidden and tucked among its classy lines to impart an air of quality at the same time. An unmistakable industrial chic look without a need to conform to prevailing trends.

Personally, Buster will be something to pack with my field gears and of course around the kitchen

In the field?...

... Did someone say "Zombies"

Monday, May 8, 2017

RFT: Russian Flipping Tanto- a Southard / Shirogorov Collaboration

Beyond the usual procrastination for writing less these days, it has partially been a matter of settling in with edged things by now. Hold enough knives and there are very few that really kick up that sense of excitement anymore. Since I am not into art knives or blades normally decked out with embellishments and exotic materials, things that catches my interest got rather pared down.

Yet, every once in a while, something fascinating will pique my interest....

For one I have been a fan of Brad's work, just never having luck in scoring any. The design elements in many of his work falls in line with my rather acute parameters towards knives. Of course that penchant for anything Shirogorov needs no introduction by now. Hence with the announcement of this collaboration, it was only natural to gravitate into an all-out attempt in securing one.

Let's start at the tip...

Tantō blades or should I say the modern edition, the "American Tanto" has not been my choice of blade design in choosing a carry.

There are other Japanese edged weapons with 2 edges, not curved but known by different names which eludes me now. Anyway this genre of blade shape is very different from the traditional Japanese tantō (短刀) aka "short blade". Barring those oddballs under the tanto family like saw-blades and pistol tanto etc... technically, in the most basic form it is a short sword which normally spots less lines, simpler grinds and definitions overall. Many things done on new age tanto actually would be found in others like a wakizashi or katana especially around the tip (kissaki) area.

It would be really unfair to compare everything to a traditional tanto and desiring to only see things that follow those to the hilt. In any case I view the whole category as a borrowed name. Ultimately it comes down to the creativity of the designer by integrating the aesthetics with functionality.

Many a time it is the abrupt angle of the two edges on the design of many that makes me look away. Generally, I'm more partial to knives with a continuous flow. Therefore another feature normally shunned are compound grinds.

How much the front edge angles inwards has a significant visual impact, tip strength etc, but most have either a dead-on straight edge or in totally opposite fashion with a rather exaggerated curve. The latter is sometimes seen with a more complex "compound" edge too. Just my opinion here.. having too many things that should not have been there in the first place, is like adding legs while drawing a snake.

Sharpness. By far the sharpest Shirogorov received straight from factory. I notice a trend of increased sharpness starting with my Neon3D followed by the RDD and Jeans but this one edge out even the the Vanax37 used in  the cf RDD and Jeans.

Alright, enough rants...  here are the things I find with the RFT from tip to end. This final execution after endless design refinements, no doubt, still puts it in a very odd place within my mind initially...

Note the subtle curve of the leading edge geometry, bordered nicely on the insides with a grind line meeting the "yokote" (dividing line) of the two edges. While not traditional, the execution in the overall design with those resulting lines certainly allude to edged weapons of the country where the modern tanto was inspired from. It is a mixture of seemingly different things found in various Japanese knives, yet it is not.

A modern twist melded with those lines in the background of the mind during the designing process is evident. A case of functionality meets art, nicely accomplished in the RFT.

Sure didn't take long for me to overlook my bias against the 2 edges from here on...  or about 5 minutes after I stared at the blade straight out of the box.

Width. Tapering from 28mm down to 18mm where the edges meet, there is just an ever so slight belly, adding back a sense of gradualness in the overall shape when viewing the entire blade. Together with the straight back and proportionate thickness, it gives a sense of speedy thrusting precision when employed in that manner.

Moving back from the tip, the thicker spine, not often found in traditional tanto does well with the shape of the RFT, imparting a sense of rigidity.

Clockwise from top: Neon 3D, Jeans, RDD and RFT
The edge feels to be convex but I can't be 100%  sure owing to the almost mirror finish and bad eyesight.  Edge width is between that of the Jeans and Dr Death collaborations.

If based on a common sense logic of overall width, then all three seems to be following a descending pattern of width with the Jeans being the broadest, RDD the narrowest and RFT taking an intermediate spot.

Logos are back on the insides of the handles on this collaboration, which is how I like them too. Leaving the external a clean unmarked look.  Of course, by now all special editions comes with milled inner sides to keep weight down.

Serial no. checked,
Symbol for the SRRBS with steel washer, checked.
But where is the the make of the steel on this one, which would be M390.

Double sided pac man screws! No wait... looking again, only one side can be worked on. But this is most certainly a trickle down trait seen in the Shirogorov full customs. There might be some in Custom Division knives but I really don't recall now. However, another obvious can't be missed trait would be the sunken pivot collar. Already seen on a few Custom Divisions but definitely a first in collaboration editions, excluding the Dark which I consider to be something else.

Excuse the specks... the "joys" of dusty city living
The milling in the center 1/3 of the handles is a refreshing touch. 'Spiraling waves'. Personally I reckon this milling pattern has something to do with the imagery to be associated with this knife. Anyway on the 2 sides sandwiching it, is a series of really fine horizontal milling, almost not visible and not captured well on my camera.

One key feature that attracted me early on was the flipper tab. Minimalist. Not some in-your-face giant dollop sticking sorely out of the knife. The concern is always wondering if it is sufficiently big to give the necessary leverage when flipping out the blade... but more on this at the end.

Aesthetics wise-- this scores big points for me on the RFT.

Butt-sthetics. The imagery that comes to mind  "dimples and curves" complementing the milled "spiraling waves" ... much like ogling the bikini tribes at the beach. Only here, it doesn't mind being touched.

Having a screw for the clip which is the same size as that used at the lock insert -- that seem to be the only thing holding up the whole assembly together with the front pivot. Minimalism at work.
This seems to be another trickle down from the full customs, take a look at the presentation side of the F7, like the RFT here there is only 1 main pivot showing. No other screws visible in the rear.

Strength? No discernible weakness or warbling/ play so far after a few hundred flips. The screw clip seems to be a through piece assembly threading both handles and the back-spacer. Yet there is nothing showing on the presentation side. Tip shape naturally allows for a wider back-spacer end for such a design/construction. Maybe part of the back-spacer is interfacing with the handles like Lego bricks? Wouldn't be able to tell unless the knife gets disassembled which I am not inclined to - at least not now, given the smoothness of the action right out of the box. For the moment, how this 1 tiny screw keeps everything together in the rear is a mystery.

Quite pleasantly surprised by the size at first sight. Big, yet didn't feel as big as the 111. A little more like the F95 in thickness but with a little added length to the blade making it feel just right-- The "missing in between-er Shirogorov" that has existed only in my mind before...

Technical specs:
OAL length: 233mm (9.17in)
Blade length: 100mm (3.94in)
Blade thickness at spine: 3.5mm (0.08in)
Cutting edge length: 110mm (4.33in)
Blade steel: M390
Handle length: 133mm (5.24in)
Handle thickness: 13.6mm (0.34in)
Handle material: titanium
Pivot: SRRBS (single-row roller bearing system), on a hardened steel washer
Locking mechanism: frame lock
Weight: 145gr


Giving a +/- 1mm or gram tolerance, numbers as per the above official specifications are spot on, right down to the weight.

Top: Looking bigger on the 111, blade wise, the actual difference in hand is less than what the pic would suggest.
Bottom left: the big difference is in the width together with the  overall thickness. For folks with smaller hands, the 111 has often been said to be "too big" While that is not a problem for me, the RFT do make it a more snug feel when held. The additional closed length on the 111 really stems from the 2 bulging ends and being relatively thicker. Thus the RFT in comparison gets a more "aero" profile and less bulge when pocketed (not clipped).
Left to Right: RDD, RFT and 111, a closed length and width perspective.

Slim seems to be the trademark these days... 3.5mm thick instead of 4mm for a knife this size. I was squaring away mentally whether there is enough steel in the RFT during it's announcement. Turns out to be a case of unnecessary worrying. While slim, the 3.5mm runs the bulk of the blade length and a good 20-30% of the width before tapering off into the flat grind down to the edge. Even with milled handle pockets, the knife still weighs 145gm. Much of that does come from the blade which lends itself nicely to the momentum when flipping open.

The other thing is the tolerance to the handle when closed. It would be a step closer to the Shirogorov full customs and a few other good custom knife makers work I have. Knives like these really leaves very little room for alignment error.

Tip Parking- yet another seemingly new trend to showcase precision these days.

The other attribute that added to the reduced profile on this rather big knife is the flushed spine of Brad's design with the handle. Blade only peeks out from the tiny cut-outs on the handle


Coming to the "default" action clip...

I saw a few videos where there seems to be some fumbling during opening. My first guess was the reduced profile of the flipper tab. Apparently not. The tuning, lock and detent strength is really one of the best for a big 4" blade I came across. The trick lies in not touching the lock bar when opening. To that I would say--this is really a right-hander frame lock that has been optimized for us lefties. The video should be telling :)

Summing up, I never thought a tanto would make it to the collection and entertain even lesser thought of carrying one. This one has tossed things up quite literally for me-- if the stars align as nicely as the blade in closed position here.. I would spring for a second one as a use-and-carry workpiece. In particular that pre-production "unobtanium" prototype with zirconium pivot ring and backspacer would be really nice to have... ;)

Saturday, April 22, 2017

Tale of Darkness



What began as an idea last Oct over a text chat came to fruition after miles of setback for a "simple" project. A pair of Heimskringla damasteel pivot collar for my Shirogorov/ Sinkevich Dark collaboration.

Machinist pal and long time cycling buddy, Nic took on the challenge, looking for the right material and sneaking in machine time during work hours whenever no one's looking and completing all the rest at home. Manual sawing... yes manual sawing included.

In between insufficient, broken off and replacement tools, lack of the "right" etching stuff like nitric acid... somehow the outcome matches up rather aptly with my initial ideas...

A matching clip at some later time was part of the plan. But with the finish on the collar now, I'm moving away from that..

I'm not really big into modifications most time and this is really one of my favorite knives both in possession and in appreciation of knife designs.

So to actually get all this going, the idea was to complement on an already awesome design and of course great work done with every of the original parts.

No garish over-coloring and things that disturbs the flow

Lacking the photographic skills and equipment to capture proper pictures, I'll just have to say it in words.... The light etching, in part due to a lack of nitric acid and the near resistance of this damasteel to getting etch actually turns out to be a "bonus" when viewed in the hand but a nightmare when trying to capture in pictures...

Use of Damascus by Shirogorov is largely reserved for full customs these days and a few collababorations and odd balls mostly from an earlier period. Most are on the blades and has light smooth etches as opposed to the hi-contrast ones often seen in other makes.  To me that is almost like a subtle signature.

A hi contrast etch would look awesome over here too given the black G10 here but having this now, there is a continuity to the whole knife with its original look.

So when things turn out the way they did on this pair of collars-- it clicked right away for me. enough to tease but not overboard.

I'm still not over-- trying to hunt those elusive Dark V or another one of the seven of this original "100 pc edition" but with a flipper. But it's hard to stomach the prices of those on the secondary market now...

Anyone of those, especially the "V"s will go well with this very last 99th Dark... no, you aren't reading it wrongly... 100 is 99. The story?.. well another time perhaps. :)

Tuesday, October 18, 2016

Where is no.18

Knives come and go. Well it's mostly incoming with few going out for me. Even less so when it comes to Shirogorovs.  I recall in the first "flower arrangement", there were 6, a subsequent one yielded 11 and today it stands at 17. Not quite a Fibonacci sequence but I can't really complain.

The last update on this blog was on the Technobambuk. That actually came after the Jeans collaboration which till today, I haven't done it justice by spending enough time carrying or given it that ultra thorough look through.

It may seem odd saying that.. how long can you actually look at a knife? Got to say certain things eluded me for the longest time... I actually took out a knife from 2 years back and only just discovered things about it which I never realized! What's more with Shirogorov, it's never only about the one knife in hand.. there is always much to compare with what came before.. and judging from the present ones to see what else may hold for future models. Ah yes, occupational hazard of mine... always trying to read into minds of others that made something.

Speaking of which, nothing beats looking at some of the older works in my opinion and few of the non flipper models can boast of the top configuration, "titan" bolster with carbon fiber scales.

Of which I actually only know of two. The naming of this older one above is a little ambiguous, it depends whom I ask and am invariably told its a titan Dertnick or T95 (aka predecessor to the Tarbargan NS100)

I think T95 is more likely the one as some info points to the original Dertnick as a 3.5" blade which corresponds to the measuring of mine, with wooden scale, to the specified length. This one here is actually the same size as an F95.. 95mm blade

And the other titanium bolster that makes up the duo here.. yup, my very first Shirogorov, 110B with a little twist.

 As to the significance of this paring... hmmm :)

In a way a number of these are rarer than the collaborations. Sometimes they are one off or just having a few pieces made to "test out" certain things. Sometimes just for the heck of it.. as somebody could have thought it was fun to stick the blade of a Model 110 into the handle of the 110B...leaving the world to wonder why there are 2 logos... To up that juicy "mystery" a tad... there's only 2 pieces made this way (according to my sauce... oops I mean source).

So would have been this duotone "Turtle" F95.. with that depression on the blade. Marking it as one of those seldom made NF1.. aka non flipper version, only to have that little flipper dangling and me wondering why. In fact this is the only F95 NF1 I have seen so far.. The rest that had been floating around on the Internet ( or at least those that I can rummage through) shows one or the other of the 17 F3 NF1.. flipper-less and with a deeper more pronounced indent.

It leaves me wondering.. why it's so different on mine.. Ok chronologically the F3 came much later, flippers in the usual Shirogorov production line-up generally speaking started with the F95, then the Hati, both frame locks and finally came the liner lock F3. The NF1 idea was probably conceived before F3 came about. This here could be an early rendition before the little tab was even lobbed off?
And a few refinement was added later on... ?

Looks like it to me..the later F3 NF1 spotted the deeper thumb indent as that made a side push opening easier together on a liner lock vs a frame lock. Anyway apart from all of these-- it's also one of  the earliest duotone satin finish on a 95 "turtle" as far as I can trace.

Been kicking myself for not knowing what the Cannabis was very early on, especially the "Ice" and giving them a miss in my early collecting days...

Barring the full customs and the Vegas series collaborations... this is the only collaboration that has ever spotted a Damascus blade.. Luck was finally on my side I guess...  That leaves only the True to complete the Cannibis trifecta.

And the most recent one that dropped off the mailbag onto my desk?... Thanks to an early warning radar alert... and and "I'm in"....

The USN Shirogorov Bears Special Edition NeOn Ultralite...

Nope.. this isn't one of the 6 "Broken Bear" F3 but the officially recognized version aka "Shirogorov Bears" on USN, hence the SB initials...

...more details of each of these at a later date

Update 13 Jan 2017... 18?

... C12 Zhivago in the house.... this Mayo/Shiro collab pair is finally completed... 9 months after the ti RDD came.